The electronic crossover featured here is an 18dB / octave unit, and has the crossover frequency centred on 300Hz. The frequency may be changed by increasing (or decreasing) resistor / capacitor values.
Increasing capacitance or resistance - Reduces frequency
- Doubling the capacitance or resistance halves the frequency
- Halving the capacitance or resistance doubles the frequency
The values of resistance and capacitance (indicated with a * in the circuit diagram) in the filter are critical, and close tolerance components are mandatory. If you cannot obtain close tolerance capacitors, use a capacitance meter to select values within 5% of the indicated value. Use only 1% metal film resistors throughout. The 1uF coupling caps are not critical, and standard tolerance is Ok.
If the crossover frequency is changed, it is critical that the ratios of capacitor and resistor values are not varied. For example, if you wanted to halve the frequency, the resistors would become 22k and 102k (100k is only just acceptable. If the ratios are changed, the filter damping is also changed, and the behaviour at the crossover point will be unpredictable (causing a dip or peak in the frequency response).
The values you change to alter the crossover frequency are indicated with a * in the circuit diagram
Do not change the 10k resistors - they set the damping of the filter and strange happenings will befall s/he who fiddles indiscriminately.
the NE5532 Dual op-amp is used. This circuit can be operated from the same power supply as the Audio Preamp, featured elsewhere on these pages. Other dual opamps may also be used, depending on your preference.
The input is buffered by U1a (the second channel can use the other half of the op-amp), and fed to the two filter networks. Each filter is a 3rd order section, and has a gain of 2. The output of each section is fed (via a 1uF polyester capacitor) to the level control and output buffer stage.
In use, the output of the preamplifier is fed to the input of the crossover network, and the outputs are fed to their respective amplifiers. For more information on bi-amping, refer to the article "Bi-Amplification - Not quite magic (but close)" on these pages.
Be careful when adjusting the level controls, since it is easy to create a mismatch in levels between the amplifiers. I suggest that the controls be mounted on the rear panel, with their shafts cut off really short, and a slot cut into the end with a hacksaw. Once the adjustment is made, it should not require further changes in use. Make sure that the power amplifier volume controls (if fitted) are turned fully up, and try to set the crossover controls so somewhere between midway and 75%. This ensures plenty of scope for getting the levels right, and will ensure that the preamp settings are not radically different from their "pre-biamp" days.
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